JF Ptak Science Books re: Post 1794
Kiesler, Frederick. Architecture as Biotechnique. Offprint: Architectural Record, 1940. 12x9 inches, pp 60-75. Original printed wrappers. Nice copy. There's a little bit of dust soiling around the edges of the pamphlet, and a ex-ownership mark on the back cover' there's also a 1/4-inch perforated "LC" stamp at the very bottom of the front cover, as this was part of the Library of Congress' Pamphlet Collection and a Copyright Office copy of the pamphlet. Rare. SOLD
Frederick Kiesler (Director of the Laboratory of Design-Correlation, Columbia (University) School of Architecture) has been called one of America's most influential non-building architects of the 20th century for his influence on a generation of modern thinkers and builders. In a rare pamphlet--an offprint, actually-- called "Architecture as Biotechnique", which was a separate printing of an article Kiesler wrote for the Architectural Record in 1939 (and printed in 1940, and appearing under the interior title of "Design Trends"), there is a very enticing peep into the future. Kiesler was looking at ways of making his architecture more "organic", more in touch with the people who would live inside the building, a radical thinker on the design of living space, and wrote about these ideas in a longer piece called Endless House in which he explained his "design-correlations" in 1937.
[The cover of the Architectural Record article, which I find to be, well, highly unusual.]
His descriptions of his work escape me some, making me feel as though I've started the article in the middle, when in fact I'm just starting--mainly because of some unfamiliar usages of common words that have been redesigned by the author to mean something else or more...plus the deeply theoretically architectural stuff. But the article starts with his study of the genetics of architecture and building design, and finishes with eight pages or so on the design for a differently-functioning piece of everyday house interaction--the bookshelves of a library.
It is in the section on the library that Kiesler includes a "Metabolism-Chart of Mobile-Home-Library" (and by this he's talking about a movable library within the home and not a library for a mobile home), the bottom part of which shows the evolution of the way in which information is presented in the library. The "cultural nucleus" or the way in which the data is presented and the way the presented obecjt is stored, and starts with the scroll in 2000 BC (with pigeon-hole storing), then the bound volume (stored on shelves, 1445 AD), then the the microfilm (stored by "filing", in 1937-1950 AD), all of which are leading up to "opto-phonetics", stored in photo-cell-unit(s), in 2000 AD. The evolutionary part in all of this is the increase in concentration/direction, an ease in visual and manual efforts, as well as easing "torsal" ("bending, leaning, rising, turning") and "pedal" efforts (walking, moving, standing), making the acquisition and control of the data in the library over time.
Now Kieser doesn't actually decribe (here, anyway) what he means by photocell-driven opto-electronic information device, but in 1939/40, when this piece was written,, most of what this machien might be was left to the creative imagination--but the fact that Kiesler has come to this at all with the year 2000 as a probable time for its arrival is fairly remarkable.
It is also interesting to see Kiesler's forensic analysis of the range of human motion regarding the selection of books from shelves (and using a Vesalius image for his 5'6" person):
Notes:
"The term "biotechnique" appeared first in my treaties on "Town Planning" as "Vitalbau", in De Stijl, No. 10/11, Paris 1925 and in America first in Hound and Horn, May 1934."--Kiesler, from his introduction.
"Introjection and Projection, Frederick Kiesler and his Dream Machine", an interesting read, by Stephen Phillips, in Architecture and Surrealism, by Thomas Mical.