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Character Sketches or the Blackboard Mirror, a Series of Illustrated Discussions, Depicting Those Peculiarities of Character...Subjects Illustrated With Over Fifty Engravings, by George Augustus Lofton (1839-1914), is a peculiar but not necessarily transcendental religico-social-morality screed in the vein of more antiquarian emblem books. The major attraction to the work were the very unusual, half-edgy, unschooled illustrations for the morals investigations made by the author--which do approach a sort of transcendental nature, all on their own. The text I'm afraid pulls the drawings down some, as I'd rather work the stuff out with just the image and a title, the descriptions becoming very quickly a preachy jaundice of judgment more so than insightful observation--though the descriptions of the images do have their moments from time to time.
[Source for all images, plus the text and rest of the images, located at Internet Archive, https://archive.org/stream/charactersketche00loft#page/n11/mode/2up ]
I think the drawings by Lofton are remarkable for their (probably unschooled) expansively unusual possibilities, all of which are very outre for the close of the 19th century. The human figures are certainly very stylized, but the background and foreground bits are generally very oddly aggressive, and off-putting.
As much into the future as this demonstration and photograph looked, the Viewtone Company would not be a part of it. They were offering their TV at a very substantial reduction than would normally be expected in 1945, which perhaps lead to the company disappearing by mid-1947, just before the massive explosion in television ownership.
The TV-ubiquity that Viewtone missed out on is now about 60 years old. In 1949 there were about 3.6 million1 TVs in U.S.. homes; by 1955, the number was 42 million, and by 1959, 67 million. By percentages2, in 1950 9% of U.S. homes enjoyed a television, while just a year later, the number shot up to 23%; by 1955 it was 64%, reaching 87% by the beginning of the next decade, in 1960. In just ten years the television went from being a luxurious oddity to an essential societal portal. It completely dislodged the massively dominant radio by the mid-1950's and nearly killed it by the next decade; television continued to thrive, and has accommodated the introduction of the home computer. The TV was able to adapt and strengthen itself, even though the manner in which stuff is put into the television for viewing consumption.
[Source: the Atlantic, http://www.theatlantic.com/photo/2011/10/world-war-ii-after-the-war/100180/]
It strikes me as a little odd that such a push for a piece of under-priced piece of advanced technology would have such a haphazard display--the floral background standing only about six feet high, quickly hand-painted no doubt, while the television itself was placed on a lunch table--not much of an effort.
A few months later there was a public demonstration of what the unit could do, attracting an audience in the "thousands". The instrument was well-received, and the cost seemed very low--perhaps that was the culprit that forced the company into producing semi-primitive and not-well-made units and then right into oblivion right on the cusp of the coming TV fantasicalopolis.
In any event, I just wanted to reproduce the photograph introducing the Viewtone television (above), if for no other reason than its breezy and familiar approach to the introduction of something new and, well, spectacular.
After all of this time handling/reading/browsing books in the history of science, I believe that I've never seen an illustration an astronomy text utilizing an apple to demonstrate the sphere/globe--and here it is:
I thought to include these footnote questions from the page preceding the woodcut because they were so good, and intended for a youthful audience:
Source: Emma Willard, Astronography, or, Astronomical geography, with the use of globes : arranged either for simultaneous reading and study in classes, or for study in the common method, 1854. http://babel.hathitrust.org/cgi/pt?id=hvd.hnygp9;view=1up;seq=27
Claude-Étienne Minié (1804-1879) was an influential military designer and French officer who designed what was to become know as the "Minie ball". This was a cylindrically-shaped conical-pointed bullet the design of which greatly increased fire at long ranges. The bullet was designed in 1847 and soon became standard issue in Europe and (especially?) in the U.S. during the Civil War. I'm taking notice of these projectiles after having made this very accidental discovery of the machine that formed them in the Victorian review of technology and invention, Great Inventors, the Sources of their Usefulness and the Results of their Efforts, printed in London in the rockingly good year of 1864. It makes me think about the fabulous machinery that produces stuff like bubble gum--glorious metallic ideas for production and packaging, all combined in effort to produce a piece of fluff that you chew on and then discard. With the Minie Ball, though, you have a massively-geared machine used to produce little bits of metal meant to pass more efficiently and with more accuracy through a body. (Also it is another representative of a genre of illustration of looking at the object straight on.)
The cover of the book is interesting in its own right, being bound in an elaborate publisher's cloth with gilt-stamped decorations. Books before, say, 1800, were almost entirely bound according to the wishes of the customer, who would/could purchase the sheets and have them bound according to their wishes. That, or booksellers would offer the book for sale in a small election of available bindings. The cloth binding that we would recognize today really didn't start to make an appreciable appearance until the 1830s, when a simple cloth cover replaced its more-elaborate brethren, making things much easier for the publisher and the bookbinder, allowing for much less expensive production and a quicker turn-around time. It also brought in a far greater distinction in the now-divergent industries of bookselling and publishing--and of course bookbinding. So the entry of the semi-standard plain cloth binding also brought in the possibility for design and art in standard book production, with less to the introduction of the decorated cloth cover.
The cover for the book described here comes from about the second full decade of a standardized-luxury of decoration in cloth-bound books. Over the years I've paid only a little attention to the decorated cloth bindings of scientific books, but never collected them, something I somewhat regret at this point. In any event, Great Inventors... is a good example of a relatively inexpensive but nicely-designed book cover.
I no longer own a copy of this book, but at least I did find a version of it at Google Books--the rather walk-about title completely conceals the fabulous stuff within it. The Chemical atlas: or, the chemistry of familiar objects, by Edward Livingston Youmans, published in New York City by Appleton in 1856 is the sort of title that you could easily skip by if you weren't familiar with it or its author. Youmans is certainly a man worthy of high respect, and I like him a lot: in his career as an author and editor, he was (in addition to much else) the founder of two significant scientific publications that I have long enjoyed: the International Scientific Series (1871), which was a rapid/cheap reprint of important contemporary science which also sought to fairly compensate its authors (at a time where they were even more ripped-off than they can be today); and the great Popular Science Monthly (1872), which was a very meaty sci-tech instrument before it got to be more 'popular" than "scientific" decades after Youman's death in 1887.
But it is his thin and lovely chemistry-of-stuff book from 1856 that I'd like to share right now. I do not know who was responsible for the design and the illustration of the book, which is I think exemplary and unusual for the time. Even if Youmans did not design the images, he did have the very good sense to include them in his book. It would be nice to have this book back at some time, along with a few of the other gorgeous works of the 19th c, like Oliver Byrne's Elements of Euclid (1847) and Ernst Haeckel's impossible Kunsformen der Natur (1904, but started in 1899 so it still classifies as a 19th c work), to name a pair.
Some good, concise, biographical info on Youmans: https://en.wikisource.org/wiki/Appletons%27_Cyclop%C3%A6dia_of_American_Biography/Youmans,_Edward_Livingston
Source: Google Books https://books.google.com/books?id=SrJXAAAAYAAJ&dq=Chemistry%20of%20Combustion%20and%20Illumination&pg=PA81#v=onepage&q&f=false
The name of the concentration camp comes to us from the Cuban war of independence (1895-1897) with its first appearance in print (according to the OED) in 18971, when the Spanish imprisoned and impressed Cuban families in large compounds. The idea and the terminology was again used shortly thereafter in the Boer War (1899-1902), this time seemingly with more cruelty and savagery. These were the people who had escaped the systematic and revolting scorched earth policy initiated by Field Marshall Kitchener2 (who was in command of events after 29 November 1900), where the Boers were simply hunted and killed, or if not killed, then imprisoned; farms were destroyed, towns torched, livestock killed. In general, the country of the Boers (all of whom were seen as guerrillas) was being taken and killed. The survivors of this onslaught were sent to the concentrations camps.
This more modern 1921 reference to a concentration camp comes to us from British Committee of the Russian Red Cross Fund in Great Britain, First report, 1919-1921. This was a tough time for the people of Russia–the Soviet Union–who were on the beginning of a mostly long-arc downward. Just seven years beyond the beginning of World War I they were experiencing enormous “hardships” brought about by fighting the war, complicated by the 1917 Bolshevik revolution and the resulting civil wars. Then of course there was the end of the war, and the beginning fo the war with Poland in 1919/1920. And then another in a series of natural/mostly-unnatural famines in 1921. This particular famine–killing about 5 million people in this year–was brought about mostly by the Revolution and prodrazvyorstka–the practice of forcing peasant farmers into selling whatever “surplus” food they produced to the state at the state’s prices, and also by being forced to supply food to the Red Army and to urban areas. Add a drought to this mix, and it lead to absolute disaster for the peasantry
Russian Red Cross Fund wasn’t yet concerned with the Povolzhye Famine, not yet, addressing the plight of the country’s response to six long hard years of war, civil war and war again–a poor country made poorer and more miserable, this fund made some attempt at relieving at least a small burden of this impossible situation within the country.
What caught my eye was in the discussion of providing relief to the camps of Russian refugee expatriates, the report detailing some of those in Cyprus, Estonia, Latvia and Finland. And Poland. The Polish camp, however, was different, and described the attempt to send relief to the 140,000 in “the Concentration Camps”, and then describing another of 110,000 “Russians who have been interned according to the Riga Peace Terms, and that the Poles are quite unable to do anything for them”. (This pamphlet is available for purchase through our lbog bookstore.)
The reference took me by surprise–I knew a tiny bit about the Russia/Poland War at this time but hadn’t realized the extent of it, nor the extent of the Russian refugees in the country nor the amount of soldiers (and their families) within the concentration camps. These are not the extermination camps that would appear in Poland two decades later, but the conditions of the people in the camps led to the deaths of thousands.
"Concentration Camp", from the Oxford English Dictionary:
A camp in which large numbers of people, esp. political prisoners or members of persecuted minorities, are deliberately imprisoned in a relatively small area with inadequate facilities, sometimes to provide forced labour or to await mass execution.The term was first used during the Cuban war of independence (1895–8) to denote camps in which rural Cubans were interned by the Spanish military authorities, and was subsequently used of the camps instituted by Lord Kitchener during the Boer War (1899–1902). Concentration camp is now most strongly associated with the several hundred camps established by the Nazis in Germany and occupied Europe from 1933 to 1945, among the most infamous being Dachau, Belsen, and Auschwitz.
1897 Orleans (Indiana) Progress 20 May American citizens must not be starved or otherwise executed in Spanish concentration camps in Cuba.
1901 Parl. Deb. 4th Ser. 90 180 The policy of placing the women and children confined in the concentration camps in South Africa, whose husbands and fathers are in the field, on reduced rations.
1927 C. Chapman Hist. Cuban Republic iv. 81 All Cubans (men, women, and children) were ordered to move into garrisoned Spanish towns or concentration camps.
1934 Ann. Reg. 1933 173 Germany..For dealing with the masses of prisoners special concentration camps were opened.
1940 H. G. Wells Babes in Darkling Wood iii. i. 234 The White Paper of Nazi atrocities in the concentration camps and elsewhere.
1941 Manch. Guardian Weekly 31 Jan. 82 They make raids on Jewish families and demand contributions, with the threat that refusal to comply will mean the concentration camp.
1945 M. K. Doherty Let. 16 July in J. Cornell & R. L. Russell Lett. from Belsen (2000) iii. 36 Within a stone's throw of the unutterable squalor and filth of theconcentration camp..were the magnificent quarters provided for units of the German Army.
2. Kitchener (who full title without his bloody shoes on was Field Marshal The Rt. Hon. Sir Horatio Herbert Kitchener, 1st Earl Kitchener, KG, KP, GCB, OM, GCSI, GCMG, GCIE, ADC, PC) described his vision for ending the Second Boer War in the Parkenham’s history: his aim was to “flush out guerrillas in a series of systematic drives, organized like a sporting shoot, with success defined in a weekly 'bag' of killed, captured and wounded, and to sweep the country bare of everything that could give sustenance to the guerrillas, including women and children.... It was the clearance of civilians—uprooting a whole nation—that would come to dominate the last phase of the war.”
The Nazi propaganda office published this effort (printed in August 1940) with every intent of making it seem as though it was produced in the U.K. as a sober reconsideration of fighting against the Germans, casting much of the argument in terms of economics. It was a relatively soft-sell effort in a hearts-and-minds campaign, hitting its target audience with reminders of how alone everyone on the British Isles were in the hard summer of 1940.
These two maps compare the economic and trade situation of 1914 and 1939, from the Nazi perspective. In 1914, the British, "as a preliminary condition for the success of the hunger-Blockade, only achieved, however after four years if struggle during which Britain was to sustain heavy losses". They announce with exclamation (!) that for 1939 there was:
"a totally different situation! The encirclement of Germany miscarries, leaving way for the expansion of Germany, and the way for her trade with neutral countries, especially with the Balkans and Russia...thus is the blockade against Germany a hopeless enterprise".
The Nazis' state that "Britain...energetically refuses to admit the hopelessness of her winning this trade war and tenaciously grasps upon all kinds of unfounded rumours...", all the while refusing to discus the bombing of Britain or any other aspect of military war
After a dozen pages of making the case against the British position in being able to take care of itself, there is this folding quantitative display, making a diametrical-pictorial presentation of the British failings. The Nazis show that they overpower the British in the ability to supply itself with grain, flour, meat, cooking fat, cheese, eggs, sugar and vegetables--in every area, in fact, except for fish.
This is the summation of the pamphlet, the last paragraph, asking the Brits to just give it up and quit their fight.
I've been reading through the notes and bibliography of Michael Crowe's excellent The Extraterrestrial Life Debate, 1750-1900 and decided to post a few of the early-modern scientific speculations on extraterrestrial life. The first is from Hollis Read's (1802-1887) concentrically-connective theo-explanations/celebrations of life in the universe, The palace of the Great King : or, The power, wisdom and goodness of God, illustrated in the multiplicity and variety of His works (New York, Scribner, 1859). It is published in the same year as On the Origin of Species..., and takes a decidedly different theological spin on interpreting Nature. It does take a very interesting turn on page 224 though (not the probably-misprinted page 160 as Crowe notes) where Read speculates on intelligent life elsewhere, and winds up on the Rings of Saturn, which would have no doubt delighted Kurt Vonnegut.
In some sense Read buries his speculations on life on the rings, occurring in the middle of a paragraph in the middle of the book, and seems not to go any further with it. He says that there are 28 billion square miles (on both sides) of the rings ("588 times the whole habitable portion of the earth"), which he feels could support a population of 8 billion, which he said is 10,000 times that of the earth. It seems he just extrapolated the population/density of the Earth to that of Saturn's rings to get that figure--I should point out that "billion" here actually means "trillion", which was one custom of the day, so the 10k number Read came up with is more-or-less accurate.
There really isn't a reason given from I've read in Read for the possibility of life on Saturn's rings, except that the beauty the rings must be fitted for something other than "waste and desolation". I've wondered about the theological issues about Life Elsewhere in natural law theo-scientific books like this--like, well, what about Adam and Eve? Had they been present would they have been so just here on Earth, or would they have been better off on the rings? Or are there Adams and Eves wherever they are needed? Or--to paraphrase an old story--would it have been Adams&Eves all the way down? It seems as though that may have been a tricky question to answer...
[Source: full text of the Read book is available via the Internet Archive from the University of California, http://catalog.hathitrust.org/Record/006524997]
"L’histoire de la science du XXe siècle n’a pas retenu le nom de Jean Perdrizet" is the lovely opening remark on a terrestrial-based sidereus nuncius/sidereal messenger post--that the name of the Art Brut/Out Brut inventor, Jean Perdrizet, has not been remembered as part of the history of science of the 20th century. And of course there is really no scientific reason for the basis of this memory to be formed, as M. Perdrizet is thinking well outside the confines of the generative envelope, making drawings of interesting and fantastic things, like the forceful Selenite Adam/Adam-of-the-Moon/Cosmologonaut.
I guess it is interesting to note that the first half of his name uses the word "perdre" and/or "perdu", which translated is "lose/lost", though I think this only has some extended application to his effect on the sciences rather than his art. Perdrizet (1904-1975) did stay in contact with scientific agencies (like NASA) throughout his career, though they did not stay in contact with him. His work is beautiful in its way and begs to be investigated closely--any time an artwork can accomplish that, then it has certainly succeeded.
Source of opening quote and image: http://www.officiel-galeries-musees.com/galerie/galerie-christian-berst/exposition/jean-perdrizet
There are of course scientific elements in the Perdrizet works that are correct--and it is tempting to use the word "but" here--though the artist decided to transcend the confines of the sciences in pursuit of something more, well, interesting. Perdrizet's educational and limited vocational background in civil engineering forms more of a springboard than a foundation for the flow of his ideas.
Here's another example of Perdrizet's work (there's a lot more all over the interwebs), a machine to "communicate with the beyond", to "capture the invisible" as the writer of the Savatier blog eloquently states:
Apparently Perdrizet made blueprints for conducting communication with the spirit world--but so did Thomas Edison, or so he said. Edison's statement on his 'invention" was made in drollery and his own brand of 'fun"; perhaps Perdrizet did so, too.
A good podcast by Susan Owensby on RFI on Perdrizet: http://www.english.rfi.fr/culture/20120212-jean-perdrizet-s-fantastic-machines
This beautiful engraving (and its detail) comes from A. Guillemin's (1826-1893) Le Ciel, Notions Elemenatiares d'Astronomie Physique ... (fifth edition, 1877) in the section "Lumiere Zodiacale". (Full text available via the Internet Archive, here.) It is one of a series of very popular books that Guillemin wrote and edited in the last part of the 19th century, and in truth it is a small text illustration, barely three inches long--but the artistry for such an image as this is very high.
There was an unexpected sighting in a book I was reading just now, found in a gift (from Philippa Rowlands, coming all the way from Australia) of W.H. Davenport Adams' The Wonders of the Underground World, Described and Illustrated, printed in London in 1878. Having been born underground in Germany, and having a lifelong pull towards submarines, tunnels, caves, mining, burial practices, and so on, the Adams book from Philippa was a very appropriate gift.
In the very opening pages I found two things that have drawn me into the book. (Well, truth be told, I liked it instantly because of the Victorian publisher's binding, which is nicely detailed.) The first bit was the very sedate view of our carboniferous period, from 300-350 million years ago. In the bottom right was the surprise--a land octopus. Perhaps there are other 19th c examples, and this probably will just display what I don't know, but spotting the octopus was a wonderful citing for me. The earliest octopod comes from this period, the pohlsepia (named for its discovered, James Pohl), of which there is evidently only one piece of fossil evidence, and that was very recent, so there's no wonder, really, how the octopus is on land in this relatively early attempt to deal with the carboniferous.
Here's the image, left (full scale) and right (detail):
[Interesting site for fossil octopods: https://www.tonmo.com/community/pages/fossil-octopuses/]
The other enjoyable thing in these early pages was the question "Is Man a Fossil?", which is a question that is unique to Google:
These are some of the reasons why it is so interesting to read older books like these, seeing how the author posed questions, and seeing how those questions come through to a modern reader, whether they were the original intention of the question or a new one created by changes in the knowledge base.
(By the way, the author, W.H. Davenport Adams, was a very busy guy in his time, writing in a lot of different venues, across many different disciplines, not the least of which was annotating a collected Shakespeare. Impressive.)
This is a news photo service photograph from the very beginning of post-WWI. It was released the day after the war ended (or at least the day after the armistice was signed) and reiterated the situation that there were many women workers in industries throughout England1, and that they would be there for some time to come--or at least until the soldiers returned.
1. For example, something on the order of 80% of munitions workers 1917/18 were women.
This section of the blog is dedicated to photographs made during World War I--the official photographs, because the control of military images during the 1914-1919 period was very nearly complete.
Photographs were made by pools of photographers working for several different photographic news agencies. The content of the images were generally secured and approved by the Committee for Public Information (CPI), which came into existence by executive order under President Woodrow Wilson on April 13, 1917, and which was charged with the task of wining the hearts and minds of the people of the U.S., to gain public support for the war and for American participation.
It is somewhat both ironic and not terribly uncommon for Wilson to have run for the presidency for one thing and then doing exactly the opposite, as he did with his 1916 re-election campaign slogan "He Kept Us out of War".
The way that many newspapers obtained the war images that they published in their papers was via a semi-centralized pool of war images. The newspaper would request, say, a photo of German prisoners, and would contact one of these photographic agencies—for example, say, the Central News Photo Service of 26-28 Beaver Street, NYC—and purchase the rights for republication, and then print it in the newspaper along with the story. In almost every case the photo would be accompanied by a caption mimeographed onto an attached piece of cheap paper, or have the information stamped on the reverse.
Photography was just one aspect of the information distribution and control by CPI--there were also thousands of Newspaper articles, public speakers (the famous "Four Minute Men" who would give some 7 million pepper talks at the beginnings of movies and public events), radio broadcasts, films, posters, demonstrations and anti-demonstrations, and other public displays.
The image below shows the arrival of U.S. nurses in England, on their way to the Western Front arena in support of General Pershing's army. The photograph caption is dated 1/14/18, less than a month away fro mt he end of the war. That said there was considerable fighting being done right up to the bitter end.
Here's a wonderful cross section HMS Repulse, published in 1939 in the Illustrated London News. It is the work of the endlessly energetic and resourceful G.H. Davis, who I've written a about a number of times before on this blog (just enter his name in the Google search box at left.) This is a cross section of the 11th of 12 Repulses of the Royal Navy--it was launched in 1916, and unfortunately was sunk in a battle on 10 December 1941, north of Singapore in the South China Sea.
I've written a number of times about tertiary, massively incorporated examples of racist behavior in the pre-WWII United States. Impossibly bad stuff that we would never think of as having any place anywhere today was sort of every place everywhere 75+ years ago. The racist imagery seems to spontaneously occur in places where there just wasn't any "point" for it, but there it was, a sort of non-sequitur of half-conscious social quiet-loathing.
Tonight's examples were inspired by a Twitter post by Ward Harkavy (https://twitter.com/WHarkavy) on an incredible piece of social propaganda: a patent for rifle shooting game in which the target is an African American. (It is interesting in and of itself that the inventor thought enough of his invention to patent it so that no one would steal his idea.)
There it is: the "Electric target machine with reversing target", by William P. Falkenberg and James R. Hall, U.S. Patent # 2188292 A, 1939/1940. "Our invention relates to an improvement in electric target rifle ranges and has for one purpose the provision of an improved target", the target being Black man. Well, a Black man carrying a chicken, though it could be that "or any other suitable target", whatever that was. (The folks applying for the patent actually used the word "negro" with a small "N", even though by about this time the fight to deprive African Americans of even the capitalization of the name of the race was over by about 10 years, though there were obvious pockets of resistance.)
"...simulate a negro [sic] carrying a chicken,
or any other suitable design."
From the patent report:
"...#54 which may for example simulate a negro carrying a chicken, or any other suitable design."
"We illustrate, however, means for reversing the movement of the target structure in response to every hit so that the negro, if hit, may reverse his direction of movement."
I did a quick search on Google Patents and found a few more examples of this extreme passive-aggressive form of racism. The second is from 1923, a "Pursuit toy", U.S. Patent # 1588143 A, by Joseph A. Ross, 1923. The toy consisted of a cop who would spin 'round and 'round trying to catch/club a Black man whose head would pop up from a sewer cover. The figure that the cop was chasing according to the report was "in the Form of a negro [sic] or any fugitive". The profile of the toy shows a cutaway of the patrolman (with raised baton) and the African American head (in the drawing beneath) coming up and through the manhole cover.