JF Ptak Science Books Post 2566
It is also basically what glue is.
It is the "glue" part of this thing that brings us together here, to tell a story of atomic bomb secrets given to the Soviets and the U.S. traitors who made it happen.
The story of Harry Gold, David Greenglass, Ethel and Julius Rosenberg has been told countless times, and in some of them the hook for the story was this box of Jello. The Jello box was cut in half, and used as an innocuous way for Gold and Greenglass--who each possessed one half of the box--to match up, signifying that each man was communicating with his proper counterpart. Why they thought it was innocuous to be walking around with Jello box parts in their wallets is not known, but they used it successfully, and under this cover of establishing their identities, they carried on their work.
As I said, it is an old story. Back in the mid 1980's when I thought I wanted to be a journalist one of the stories I dredged up was this one, and I tracked down the Rosenberg kids and interviewed them, and the janitor who cleaned up after the Rosenberg's deaths in their execution in Ossining, and even to the Rabbi who was probably the last person to see them alive. The story for them gets pretty weepy, and convoluted, but not so much anymore after you read the Venona transcripts regarding them. And that pretty much tells the story, I think.
Anyway, their stories are best told by others elsewhere.
All I wanted to do here was make the passing note that the girl on the Jello box has some resemblance to the girls populating the artwork of Henry Darger, the bleak, fabulous, impossibly-driven Outsider with what was probably a complicated and terribly unsavory fascination with young girls.
I don't know if this is the exact type of Jello used by the conspirators, though this is what was entered into evidence at the trials of these people, a "replica" of what was believed to be the box, but it is good enough:
Here's is an example of the (clothed) Darger Vivian girls. I know, I know, he is perhaps one of the great three/four great icons of Outsider art in the 20th century, but all I take away from him is a sense of very very complex creepiness:
- See an earlier post of mine on Henry Darger and the Campbell Soup Playhouse Schoolroom for Kids, here: http://longstreet.typepad.com/thesciencebookstore/2012/09/henry-darger-and-campbell-soups-kids-playitme-schoolroom-1955.html